音樂家名錄
韓國鐄 HAN Kuo-Huang 音樂學家 返回

書籍

  • 1969 《旅美音樂見聞錄》(包括 <美國的交響樂團> 專題研究),愛樂書店出版,1969
  • 1972 《音樂的中國》文集 (主要探討中西音樂問題及推介民族音樂學現況;書名來自當年美國十分流行的雜誌Musical America),志文出版社,1972
  • 1981 《自西徂東:中國音樂文集》,時報出版公司, 1981。
  • 1984 《留美三樂人:黃自、譚小麟、應尚能》,時報出版公司,1984(2版1990)。
  • 1985 《自西徂東:中國音樂文集二》,時報出版公司,1985。
  • 1989 《韓國鐄音樂文集一:中國近現代音樂史》,樂韻出版社,1989。
  • 1991 《中國樂器巡禮》,文化建設委員會出版,1991。
  • 1995 《韓國鐄音樂文集二:藝術、文化與社會》,樂韻出版社,1995。
  • 1992 《韓國鐄音樂文集三:民族音樂》,樂韻出版社,1992。
  • 2000 《韓國鐄音樂文集四:樂器文化》,樂韻出版社,2000。
  • 2002 《耕耘一畝田:戴粹倫》,時報文化出版社, 2002。
  • 2003 《鐘鼓起風雲:莊本立》,時報文化出版社, 2003。
  • 2016 《韓國鐄音樂文集五:美國民間音樂與樂器》,全音樂譜出版社,2016。

主要論文 (大多已收入於《韓國鐄音樂文集》各集中)

  • 1979-08-01 <中國人的標題音樂觀>,《明報月刊》(香港)第164期,1979年8月:59-61;第165期,1979年9月:30-33。
  • 1980-08-31 <早期西樂東漸佐證的發現>,《時報雜誌》第39期,1980年8月31日。
  • 1980-11-30 <中國現代軍樂肇史初探>,《時報雜誌》第52-54期,1980年11月30日;12月7日;14日。
  • 1981 <江文也的生平與作品>,《台灣文藝》革新號第19期,1981年。
  • 1983 <黃自留美資料的研究>,《音樂藝術》(上海)1983年第1期:54-72。
  • 1986-12-01 <樂器的研究>,《樂典》第12期,1986年12月:46-56。
  • 1987 <歌舞伎與京戲的比較>,文化建設委員會,[1987]:131-141。
  • 1987-07-01 <匈牙利和中國民歌的比較>,《樂典》第17期,1987年7月:24-33。
  • 1988 <音樂圖像學的範圍與意義>,《中國音樂學》(北京)1988年第4期:50-55。
  • 1988 <從音樂研究會到音樂藝文社(新論)>,《中國新音樂史論集,1920-1945》,劉靖之編:245-287. 香港大學亞洲研究中心, 1988。
  • 1990 <民族樂器的改良>,《中國新音樂史論文集:1946-1976》,劉靖之主編:385-395. 香港大學亞洲研究中心,1990。
  • 1990-03-01 <樂懸雕飾與信仰>,《藝術學》第4期,1990年3月:263-273。
  • 1990 <東南亞小型鑼群樂團的聲部層次>,《民族音樂研究第二集》, 劉靖之主編:126-138. 香港大學亞洲研究中心,1990。
  • 1990 <北大音樂傳習所研究>,《音樂藝術》(上海音樂學院)1990年第1期:1-9; 第2期:1-8。
  • 1990 <赫德樂隊研究>,《音樂研究》(北京)1990年第2期:43-53。
  • 1991 <西雙版納傣族與泰北音樂傳承的比較>,《中央音樂學院學報》(北京)1991年第3期:33-37。
  • 1993-03-01 <贊哈調(哈賽篳)音樂初探>,《藝術學》第9期,1993年3月:73-94。
  • 1994 <趙元任在中國音樂史上的地位>,台北:《教我如何不想他:趙元任紀念系列活動研討會》,1994。
  • 1995-09-01 <上海工部局樂隊研究>,《藝術學》第14期,1995年9月:143-205。
  • 1995 <西安打瓜社音樂>,《表演藝術》第37期,11月:32-35。
  • 2000 <嗩吶來源問題探討>,《音樂研究》(北京)2000年第2期:61-65與封底。
  • 2007-12-01 <甘美朗的世界性>,《樂覽》,第102期,2007年12月:21-28。
  • 2014-01-01 <斑鳩琴:跨越時空與種族的美國民間樂器>,《關渡音樂學刊》第19期,2014年1月:71-90。

特別系列

  • 1986-93 中國音樂圖像選輯(165篇):《藝術家》第129期至第214期
  • 1988-89 海外中國系列(59篇):《民生報》
  • 1994-2004 世界樂器系列(73篇):《省交樂訊》第27期至第49期;《北市國樂》第129期至第182期;第196期至第200期
  • 2014-15 美國民間樂器系列 (11篇):《美育雙月刊》第197期至第207期

英文論著

  • 1978 "Chinese Concept of Program Music." Asian Music, 10 (1), 1978: 17-38.
  • 1979 "The Modern Chinese Orchestra." Asian Music, 11(1), 1979:1-40.
  • 1980 "Evolution and Revolution in Chinese Music" (co-author: Lindy Mark), in Music in Many Cultures, ed. Elizabeth May: 10-31. Los Angeles: UCLA Press, 1980.
  • 1980 "Special Bibliography of Three Chinese Musicologists: Yang Yinliu Yin Falu and Li Chunyi." Ethnomusicology, 24 (3), 1980: 483-520.
  • 1982 Book review: "'Chinese Music: An Annotated Bibliography' by Frederic Liberman." Ethnomusicology, 26 (3), 1982:484-486.
  • 1983 "On Chinese Scales and National Modes (Ho Lu-ting)" Tr. and annotation. Asian Music, 15 (1), 1983: 132-154.
  • 1985 "Title and Program Notes in Chinese Musical Repertoires." The World of Music, 27 (1), 1985: 68-77.
  • 1988 "The Construction and Use of the Knobbed Gong in Taiwan." Balungan, Journal of the American Gamelan Society, 3 (2), 1988: 11-14.
  • 1988 "J. A. Van Aalst and His 'Chinese Music." Asian Music, 19 (2), 1988: 127-130.
  • 1988-89 Book review: "The Musical Instruments of the Chinese National Minorities." Asian Music, 20 (1), 1988-89: 158-161.
  • 1989 Record review: "A Musical Anthology of the Orient: China." Ethnomusicology, 33 (3), 1989:567-569.
  • 1989 Book review: "A Pictorial Guide to the History of Chinese National Minorities." Asian Music, 20 (2), 1989: 196-198.
  • 1989 "Folk Songs of the Han Chinese: Characteristics and Classifications." Asian Music, 20 (2), 1989: 107-128.
  • 1989 "East Asia - China." in Multicultural Perspectives in Music Education, ed. by William Anderson & Patricia Shehan Campbell: 239-257. Reston, VA: Music Educator National Conference, 1989.
  • 1990 "The Current Status of Chinese Minority Music Research." Association for Chinese Music Research Newsletter, 3 (2), 1990:6-7.
  • 1991 Record review: "Music from the Outskirts of Jakarta: Gambang Kromong." Ethnomusicology Research Digest, No. 58, Sept. 6, 1991.
  • 1992 The Lion's Roar: Chinese Luogu Percussion Ensembles (with Patria S Campbell). Danbury, CT: World Music Press,1992. (2nd ed. 1996)
  • 1992 Book review: "A Guide to the Gamelan by Neil Sorrell." Asian Music, 23 (2), 1992: 165-168.
  • 1994 "Khapsaibi Music: A Preliminary Study." In Themes and Variations: Writings on Music in Honor of Rulan Chao Pian, ed. by Bell Yung and Joseph S. C. Lam: 260-277. Cambridge, MA: Music Dept., Harvard University. 1994.
  • 1998 "Teaching Cultural Tolerance through Music." Northern Illinois University Faculty Bulletin, 62 (2), 1998:6-8.
  • 1999 Book review: "Southeast Asia Volume -The Garland Encyclopedia of World Music." Crossroads: Journal of the Center for Southeast Asian Studies, Northern Illinois University, 12 (2), 1999:104-106
  • 1999 "The Dagua She Music of Xian." Journal of the Association for Chinese Music Research, 12, 1999: 101-122.
  • 2000 "Can You Shake It? The Angklung of Southeast Asia." NIU Teaching Resources of Asia Website, June 2000. (online)
  • 2000 Ten short articles on Chinese musical instruments/ensembles for Encyclopedia Britannica, 2000. (online)
  • 2001 "The Importation of Western Music to China at the Turn of the Twentieth Century." In A Compendium of American Musicology: Essay in Honor of John F. Ohl, ed. by Enrique Alberto Arias, Susan M. Filler, William V. Porter, & Jeffrey Wasson: 229:240. Evanston, IL: Northwestern University Press, 2001.
  • 2001 "Taiwan - Art Music.”The New Grove Dictionary of Music and Musicians, 2nd ed. 2001, 25: 8-10.
  • 2001 "Li Chunyi." The New Grove Dictionary of Music and Musicians, 2nd ed., 2001, 14:655.
  • 2001 "Liang Tsai-ping." The New Grove Dictionary of Music and Musicians, 2nd ed., 2001, 14:630.
  • 2001 "Yin Falu." The New Grove Dictionary of Music and Musicians, 2nd ed., 2001, 27:660.
  • 2002 "The Use of Southeast Asian Group Music in General Music Classrooms." General Music Today (MENC), Fall 2002. (on line)
  • 2002 "The Introduction of Western Music in Modern Times." The Garland Encyclopedia of World Music, 7: East Asia, 2002: 373-378,
  • 2005 Six short articles on Chinese music for the Encyclopedia of Contemporary Chinese Culture. Ed. by Edward L. Davis. New York: Routledge, 2005.
  • 2010 "The Modern Chinese Orchestra." in Kaleidoscope of Cultures: A Celebration of Multicultural Research and Practice: Proceedings of the MENC/University of Tennessee National Symposium on Multicultural Music, ed. by Marvelene C. Moore and Philip Ewell: 63-68. Lanham: Rowman & Littlefield Education, 2010.
  • 2010 "The Lion’s Roar in Classroom: Teaching Chinese Luogu." in Kaleidoscope of Cultures: A Celebration of Multicultural Research and Practice: Proceedings of the MENC/University of Tennessee National Symposium on Multicultural Music, ed. by Marvelene C. Moore and Philip Ewell: 53-57; 118-121. Lanham: Rowman & Littlefield Education, 2010: 53-57.
  • 2010 "Bamboo Is Fun: Bamboo Angklung for the Classroom." in Kaleidoscope of Cultures: A Celebration of Multicultural Research and Practice: Proceedings of the MENC/University of Tennessee National Symposium on Multicultural Music, ed. by Marvelene C. Moore and Philip Ewell: 59-62; 121-128. Lanham: Rowman & Littlefield Education, 2010:
  • 2010 "China" and reference resources for China and Japan, Multicultural Perspectives of Music Education, ed. by William Anderson and Patricia Campbell, 3rd ed. 3: 7-28; 42-51. Lanham: Rowman & Littlefield Education, partnership with MENC, 2010.
  • 2013 "Balinese Gamelan Angklung Adapted for Orff Instruments." in Orff Schkulwerk: Reflections and Directions, ed. by Cecilia Wang. Chicago, GIA, Inc. 2013: 199-212; 245-251.
  • 2016 "Unique Strategies for Teaching with World Music." (with Cecilia Wang) The Orff Echo, Spring 2016: 8-18.

唱片(演出或製作與解說)

  • 1978 Chinese and Southeast Asian Music performed by members of the Ethnomusicology Program Dept. of Music Northern Illinois director: Kuo-Huang Han. Silver Crest Custom (1978)
  • 1980 Vocal Music of Contemporary China Vol 1: The Han People selected and annotated by Han Kuo-Huang Northern Illinois University. Folkways Records FE 4091 (1980).
  • 1980 Vocal Music of Contemporary China Vol 2: The National Minorities selected and annotated by Han Kuo-Huang Northern Illinois University. Folkways Records FE 4092 (1980).
  • 1981 West Meets East: Chinese and Balinese Music performed by the Asian Music Ensemble Northern Illinois University (DeKalb) Han Kuo-Huang director. Folkways Records, FSS 37455. (1981)